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Cleopatra Lorintiu « Ecart
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In 1998
Cleopatra Lorintiu arrives to initiate an old project that took him to heart: a
review on the encounter between art and management. She proposed the idea to the
leadership of Group Press "Economistul" directed by journalist Ioan
Erhan, also the patron of the newspaper.

In September 1998 the first "ECART " has been released.
Cleopatra
Lorintiu was editor in chief of the weekly publication culture between 1998 and
October 2002. (The time of his departure for diplomacy).
During these five years' gap 'has become a forum pure defend
cultural values and heritage, the relationship with the Romanian abroad, refunds
and literary memoirs of writers and artists forgotten, antique and collectors
worldwide. Many journalists and writers have published articles in this week.
In "ECART" Cleopatra Lorintiu has also issues that have
aroused great interest as the theory of Dr. Toni Victor Moldovan (and his
book "The Earth Project ") on a scientific and genetic interpretation of sacred
texts and a decoding biblical texts . (interview granted in 2001 , published in
Ecart and in the book” A supplementary light”
In the pages of this weekly have been published
also:
-the memories of Paltin Sturdza, prince, the nephew of the
famous Romanian Army general Avramescu, distinguished professor in semantic and
languages ,
-the memories of Dr. Maria Georgescu, director at the time of
the clinic "Ana Aslan," and gerontologist geriatrician, favourite disciple of
academician Ana Aslan
-an interview granted by the writer Cella Serghi,(
1907-1992)
-the last interview granted by the anthropologist
Romulus Vulcanescu,
(Extracted of the last interview granted by the academician
Romulus Vulcanescu (1912-1999) ethnologist, anthropologist, historian of the
religions, the author of the books: “Romanian Mythology”, “Popular masks”, “The
column of the sky”).
- the last interview granted by Manole Filitti, who
represented an important ancient family from Bucharest about his childhood ,
souvenir from the Cantacuzino Palace when he was a little child, his life, his
friendships and the manner to resist during a dictatorial regime who didn’t
agree the aristocrats
-the sculptors Ion Vlasiu, Gabriela Manole Adoc,
personalities who have left.
In the pages of this cultural supplement were presented exceptional youth of the
Foundation "Genius" (chaired by Professor dr. Iulian Cretu), academic
institutions and colleges known for their professional results.
Dialogues in ECART review (1998-2002)
Supplement cultural artistic daily The Economist - Economistul Director Ioan Erhan)
( these interviews are also published also in the book" An light additional
light "Muzeum Editions 2002.
)
Dream of Denmark or the importance of quality of life, interview with
Birgitt Emborg, representing the Company Pharma North about the discovery and
the development of Coenzyme Q10.Memories from Viale where Cleopatra
Lorintiu participated to a visit and a training for understanding more about
this important substance.
"Always interested in the latest scientific and medical research, new
technologies, Birgitte Emborg came to Romania to represent a large
pharmaceutical company but not only! rather to familiarize the Romanian products
with nutritional supplements of great quality, products that help without doing
damage, is his passion for the Coenzyme Q10 that made me read and think, and
finally publish a book dedicated to this great discovery of the medical world
that can sometimes change our lives. Birgitte Thanks! "
"A road for life" interview with Gabriela Manole Adoc and Gheorghe Adoc
(Gabriela Manole Adoc, plastic artist, Romanian sculptor and author of
monumental works of art (born November 14, 1926, Plesani, Department of Botosani
- died July 17, 2002 Bucharest)
Member of the Union of Plastic Artists since 1954. Beginning in
1966 with "Albatros" the first statue in Romania stainless steel placed near The
Herastrau Lake in Bucharest. Among the best-known works: the bust of Nicolae
Iorga has Iasi, The statue of Independence in Iasi (in collaboration with her
husband, the sculptor Gheorghe Adoc, 1975)
see page G. Manole Adoc
Interview with Florin Georgescu, university professor MP, chairman of
the Finance Commission of Banks National Assembly of Romania .
The charm of the life of a botanist
interview with dr.Ovidiu Bojor, pharmacologist, botanist

The surgery, a
tough job! Interview with Professor dr. Dan Gavriliu(
The use of a gastric tube to replace the esophagus as performed by Dr. Dan
Gavriliu of Bucharest, in 1951.this operation was first performed by the
Romanian surgeon Dan Gavriliu)
Born in 1915, he was one of the most
important surgery's doctors in Romania. Novelty dialogues .
“Staying in the land of your ancestors”,
interview
with anthropologist Academician Romulus Vulcanescu
see page Vulcanescu
My heroines are winners because they look like me
(re-edited SLAST, interview with the writer Cella Serghi)
“The World of Vlasiu” last interview with the sculptor Ion Vlasiu
(1908-1997)
The story of a family interview with Manole Filitti
The friend of bees the last interview given by Nicolae Iliesiu,
beekeeper, the inventor of "Apilarnil"
see page Iliesiu
“A rough life, an exceptional destiny” interview with Mrs.Edith
Bretan Le Bovit, the daughter of the composer Nicolae Bretan
see
page Nicolae Bretan
A new experience, three years rector of the Academy of Chisinau
(Moldova) interview with Professor Paul Bran, the rector of the Academy of
Economic Studies from Bucharest. Ph.D. in economics in 1974, Paul Bran was
noticed by his competence on the basis of financial decisions at the
microeconomic level: In 1975 he refined his specialty training in Geneva, adding
expertise on international monetary and financial relations. Refresher training
in the United States in 1994 on the organization and development of little
enterprises and followed by his major contributions to the Romanian laws capable
of solving the first financial institutions in a country recently released a
long period of centralized economy: Rector of the Academy of Economic Studies,
Romania High, Paul Bran was a difficult challenge: to establish the Republic of
Moldova, the first institute of higher education economy. (interview
published in October 1998)

" I have known Professor Ana Aslan "interview with proof. Maria
Georgescu, medical director of the” Institute of Geriatrics and Gerontology
Ana Aslan” .
The festival continues interview with the ballerina Margareta Zirra
"We remember the beautiful years" interview with the ballet master
Gabriel Popescu, star dancer Gabriel Popescu began the study of dance with
the maestro Floria Capsali. He started dance on the stage of Bucharest Opera in
1948 when he was 16 years.In 1949 he was taking advanced courses in Balchoi
Theater in Moscow. early he became a State Prize Laureate and he received the
Gold Medal at the International Ballet Contests in Berlin and Warsaw. He
received the First Prize in Moscow, in 1964 for an exceptional pas-de-deux in
Don Quixote Ballet partnered by Larisa Şorban, who was then the principal dancer
of the Cluj Opera Ballet. In his early years the danced particularly in the
USSR, as the partner of gretest ballerinas like Olga Lepeshinskaya, Ala
Ossipenko, Maia Plisetskaya, Natalia Makarova.
At the Bucharest Opera, his repertoire was the classical one, the ballets were
inspired by Russian or Romanian folklore,: Călin,Iancu Jianu, as well as The
Fountain of Baccisarai, Red Poppy, or masterpieces of Glazunov.
He formed a mythical duo with Irinel Liciu the principal dancer of Romania Opera
between 1949-1965.
In 1965 he had difficulties with the communist regime, and he solicited
political asylum in Paris.
He danced in Great Britain (where he was denied residence )and Switzerland. This
is the time of his greatest successes.
He was principal dancer, choreographer and ballet maestro at the Zurich Opera,
and from 1975 with the Berlin Opera.
His became a beautiful carrier in Italy in 1978, when he became a ballet
professor to the school in Reggio Emilia led by Marinel Stefanescu and Liliana
Cosi. Collaboration at The Roma Opera, La Scala in Milan, the Turin Ballet
Theater, the Verona Arenas . He was the personal instructor of megastars such as
Carla Fracci, Gheorghe Iancu and Marcia Haydee from Stuttgart.He was a ballet
maestro with Roland Petit’s Company in Marseille, assistant to choreographies
signed by, Maurice Béjart, Glen Tetley, Uwe Scholz.He return in Romania after
the revolution to meet friends and colleagues from Opera. He became Knight Rank
Star of Romania Order, awarded by President Iliescu ( 2002).
Interview with Dorel Onaca, Senator, diver, businessman
“How to make money? How do music?” Interview with Gert Hoffbauer,
conductor of the Orchestra Hoffburg, Vienna and Luminita Nielsen.
“Greece in the heart”, interview with the opera singer Marina Krilovici
(realized in Athens, 1995) Marina Krilovici (born 11 June 1942) is a opera
soprano of Romanian birth.
She studied in Bucarest with VrabiescuVatianu, Arta Florescu, Petre Ştefănescu
Goangă, Aurel Alexandrescu, and in Rome with Maria Caniglia and Luigi Ricci.

in 1966 at the National Opera of Bucharest she had the first role as Donna Anna
in "Don Giovanni". In the same year she was winner of the Dutch International
Vocal Competition in ´s Hertogenbosch and awarded in Montreal.
She arrived at the Opera of Bucharest to major achievements in lots from the
lyric as the dramatic roles, especially in the field of Italian opera. From
1968-1976 she was a member of the State Opera of Hamburg and In 1971, she
decided to defect and settle in Germany,
Marina Krilovici was married to the baritone Kostas Paskalis until 1993 (with
whom she has two children, has performed at numerous Opera houses.
In 1968 and 1969 she was heard at the Opera House in Toronto as Tosca. In the
years 1970-1978 she appeared at the Staatsoper in Vienna in roles like Santuzza,
Tosca, and Elisabetta in Verdi's Don Carlos.
In 1972 she performed at the Deutsche Oper Berlin as Santuzza. Other guest
appeareances at La Fenice in Venice (1971 as Tosca), the Covent Garden Opera
London (1971, Aida), the Teatro San Carlos Lisbon (1975 as Manon Lescaut and
1978 as Tosca), the Opera du Rhin, Strasbourg (1976, Tatiana in "Eugene Onegin"),
the Opera de Monte Carlo (1979, Elisabetta), La Monnaie (1979, Amelia in
Donizetti's "Il Duca d'Alba"), and the Scottish Opera in Glasgow (1980, Tosca).
In 1985-1986 she made a guest appearance at the Opéra de Wallonie Liege as
Tosca. Also a guest in Amsterdam, Copenhagen, Mexico City and 1982-85 at the
opera several times in Athens, where she sang Leonore in "La forza del destino"
by Verdi.
in America Krilovici had a successful career, making her debut there in 1972 at
the San Francisco Opera as Aida, From 1972-1974 she sang at the Lyric Opera of
Chicago as Mimi and as Cio-Cio-San. She sang at the Opera House of New Orleans
in 1975 as Tosca and appeared at Miami Opera in 1979 as Elisabetta in "Don
Carlos". In the seasons 1973-1974 and 1975-1977 she was engaged at the New York
Metropolitan Opera where she sang Cio-Cio-San, Giorgetta in Puccini's "Il
Tabarro", and Leonora in "Il Trovatore".
At the time of this interview she lived in Athena Greece .
The Discreet Charm of remember ,
interview with the architect Gheorghe Rosetti, on the history of the Rosetti family and the life of his father,
Academician Alexandru Rossetti (1997).
Interview with opera singer Mariana Nicolesco, the founder of the
International canto "Hariclea Darclée" Braila 2001
A meeting without peer, interview with dr.Victor Toni Moldovan, the
author of the book "The Earth Program"
An interview with the prince Paltin Sturza
about the history of his family and his grand father General Avramescu,
and his incredible destiny.
Meeting with Livia Nita Bonansea PDG
Bonansea ,Torino Italy
Dialogues with Ion Salisteanu,
painting artist
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